The Magnificent Seven Film and the Cowboy Mentality

Number of Pages 5

In five pages this paper examines Theodore Roosevelt's articulated cowboy mentality and how John Sturges' steers clear of it in his 1960 film in terms of its theme, American culture representative scenes, depiction of ethnic minorities and women, as well as character and dialogue nuances. Three sources are cited in the bibliography.


File: TG15_TGmagseven.rtf


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